Project Quilting Inspiration

Project Quilting Inspiration

It’s that time of year again! The holidays are over, and it’s time for Kim Lapacek of Persimon Dreams to begin the first week of the Project Quilting Season 10 challenge.

When I saw the first challenge phrase, “Hope Springs Eternal“, I instantly thought of a photo my son & daughter-in-law sent us of our sweet little granddaughter looking up in awe as she “helped” decorate their Christmas tree.

Isn’t she a sweetie? She’s just between 1-1/2 & 2…So this is the first time she’s really enjoying the tree. And that look on her face is just full of wonder and hope for what’s to come.

Not only does it represent the hope of things to come for her, it represents our hope of flying half way around the world to see her soon. I’m so grateful that I live in an age where we can video-chat online weekly and get instant photos every day, but it’s just not the same as seeing them all in person. I can’t wait to give her a hug and play together.

To start the challenge, I printed an outline of the photo on paper and used my Cutterpillar light box to lightly trace some of the important features onto white muslin with pencil.

Next I sandwiched the white muslin on top of batting and backing and started thread sketching (which also served as free motion quilting) with black cotton Aurufil thread and my Bernina BSR foot.

I decided to thread sketch everything…her sweatshirt, hair, and even the needles on the branches of the Christmas tree. And it helped to look at the photo of her beside me on my computer as I sketched in all of her features, starting with her eyes.

I’m so glad I’ve got a nice selection of variegated cotton Sulky thread! I think they really help add depth…

my granddaughter has the cutest pink cheeks (just want to kiss them!), and I couldn’t get the effect I wanted with thread…so broke out my stash of Derwent color pencils and started coloring… adding a bit if color to her lips, her hair, and some shading.

Now that’s a bit better!

A little more shading, and then I added a double border of batik fabrics.

Here’s some close up photos…

I started so late on this challenge, … I wasn’t sure I’d have enough time. But once I started, it just came together and I loved every minute. You really CAN do it in a week.

Participating in PQ is so much fun, because it forces me to try a new technique or idea and actually get it done. I don’t have time to worry about failing or to quit and start over. It is what it is. And I can’t procrastinate when it HAS to be done from start to finish in only one week!

The voting starts this Sunday afternoon (January 13, 2019). Come vote for your favorites…but of course I’d love your vote!

VOTE HERE. Be sure to scroll down to the end.

I believe the voting is open January 13-19 and the winners announced Jan. 20.

Until next time,

Happy Quilting!

Jane

Mulberry Patch Quilts

Mosaic Quilts: My Infatuation Continues

Mosaic Quilts: My Infatuation Continues

So after seeing the gorgeous quilts by Heidi Proffetty (see my earlier post) and not having access to a digital fabric cutter (which is really a necessity for her technique), I thought I’d try creating another small mosaic art quilt using the simpler tiny squares recommended by Cheryl Lynch (see previous blog post).

I thought you might enjoy following along with the process.

The first step was to find a very simple, but inspiring photo that I could trace to make the pattern outline. I found a photo that I had taken last spring of a Trillium (my fav woodland wildflower).

I downloaded a tracing app for my iPad and used it to roughly trace the outline of the petals & leaves. Note: There are a lot of tracing apps out there (and I certainly haven’t tried them all), but this one (free) allowed me to upload my photo and trace over it with my finger or my computer stylus. It’s rough, but that’s okay…I can go over the lines again with a black Sharpie pen after it’s printed.

This particular app allows you to fade out the background (photo) so you can print only the lines, which saves printer ink. That’s a nice feature.

After saving the tracing as a jpeg file, I needed to enlarge it at 200% to get it to print to the size of a sheet of copy paper, which was the size I was looking for. Once my outline was printed, I used Cheryl Lynch’s technique of taping it to a piece of core board and then thumbtacking a sheet of Steam-a-Seam 2 over it, uncovering the top of the fusible to expose the sticky side up.

Next, it was time to go through my collection of cotton batik fabrics to see what colors might work for the tiles. I cut them into 3/4 inch squares, using Cheryl Lynch’s mini mosaic cutting guide and found that the more variation you have in the light/dark of each color, the better it looks.

Now for the fun part…placing each individual square fabric “tile” with a tweezers. It’s somewhat like putting a puzzle together…one area of color at a time, but you don’t have to make them all fit…you can trim pieces to fit as needed.

For a project this small it doesn’t take long to cut enough squares of fabric to get started. The variation in the value of each fabric color is the key. You don’t want them to look too flat by having each tile exactly the same color value. I added some bright yellow strips in the center of the flower.

It’s slowly progressing! It takes quite awhile to individually place each square with a tweezers, but it’s surprising how much is accomplished by working on it in 30 minute segments throughout a couple of days. Before you know it, it’s finished and ready to fuse to the “grout” fabric and add the tulle netting over the top …

…adding the borders, batting, & backing …

and do the machine quilting using white cotton thread and a walking foot. I stitched between the rows of mosaic squares in the “grout area”, and outlined the petals and leaves. I added a few quilted veins into the petals of the Trillium too.

Close up of the quilted veins & center of the Trillium

What do you think? Originally the background was all browns and green, but I decided it needed more contrast, so I took out some of the squares and re-did the top portion of the background in blue sky.

This one’s completed and for sale at my Etsy Shop.

I’m ready to try it again…how about you?

Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Project Quilting Stitch in Time Entry

Project Quilting Stitch in Time Entry

So…I thought about the challenge for Project Quilting this week…A STITCH IN TIME SAVES NINE. And nothing came to me for several days. I thought this would be the week I just didn’t enter.

Then, as I was thinking about the time change this Sunday…and about having more daylight, …the sun was shining (even though we did get more snow a few days ago)…and the birds were singing outside. They weren’t singing their usual winter chirps, but their special beautiful spring time songs! Then I thought about how I should be saving bits of colorful ribbon, yarn, and little strips of fabric and putting them outside so the birds could use them because they’ll be building their nests soon. And the idea for the challenge came to me…

I started to equate “a stitch in time” with the little birds getting their nests “stitched” together with bits of string and twigs. And then I started to visualize nests made out of fabric selvages and bright fabric strips. And the idea started taking shape!

I used scraps from my stash to flip and sew the background, and fused the appliqué shapes on top. Then cut up a bunch of my selvedge edges I’ve been saving and quilted them down to create the nest.

I even found the Stonehedge fabric selvage from their fabric called “a stitch in time”!! What are the chances? Totally unplanned! How cool was that?

So here’s my entry for Project Quilting Season 9, Challenge #5 “A Stitch in Time”. I hope you’ll stop by the website to vote for your 10 favorite entries. Voting starts after noon (Wisconsin time) on Sunday, March 11, 2018 and I think it runs through Friday, March 16, 2018.,

Until next time…HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Project Quilting 9.2 Entry: Mosaic Falling Leave

Project Quilting 9.2 Entry: Mosaic Falling Leave

I’m still intrigued by the idea of fabric mosaics, so I thought I’d carry that idea a step further into this week’sProject Quilting 9.2 “Triangulation“. It’s risky… because I’m not sure this will work–it could be a huge failure, but I think it’s worth a try.

Instead of cutting the square fabric tiles,like I did in my last post, this time I’m thinking of stepping it up a notch by cutting the tiny squares into even tinier triangles and placing them onto an overall gridded pattern to replicate leaves or vines cascading down in shades of green and brown … very organic, very arts & crafts (which I love). I happened upon a beautiful tiled wall and that was the inspiration for this idea.  Plus, it gave me a good reason to use up some of the lovely fabrics I hand dyed.

I’ll start by drawing a grid on paper to use as a guide for placement, and cover that with the Steam-a-Seam 2–with one uncovered sticky side up. I can use my 3/8″ slotted template to cut the squares & then cut them in half corner-to-corner to make lots and lots (and lots) of triangles. I don’t want the triangles too large, since my Steam-a-Seam 2 sheet that I happen to have on hand is only 9×11 inches or so…and I only have a few days to get it done–the challenge deadline is fast approaching (hope I make it).

I wonder if the idea will translate well as I progress filling in the grid one by one with different values of green…and then brown…? Hmmmmm.

Little by little, one triangle at a time, it’s beginning to take shape…

It almost looks like a forest to me at this point.

I’m thinking a charcoal gray Kona cotton fabric will work best for the background “grout”. Black might be too dark and get lost in the top half of the quilt, and white might be too much of a contrast. I’ll have to audition a few grays to get the right one.

After ironing the quilt sandwich together with batting and backing fabric, I’m off to my sewing machine to stitch between the “tiles” with matching gray cotton thread.

That’s done!  And I’ve added the border (simple gray).  So I’m on the home stretch! Time to do a little hand sewing on the binding…I always save the last bit of my assortment of Aurifil threads in a special place for my hand sewing…

I love my little doll pincushion that my friend brought me back from her trip to Liberty of London…(I almost hate to stick her with pins!)

What do you think about it Snicks? … too tired to comment?

Done, done, done…with a few hours to spare…whew!  Time to get a square photo uploaded for the contest.  Since it’s not square, I hope this one will be the best choice…

Please stop by at the website for Project Quilting Season 9: Triangulation to vote for your 10 favorite quilts”!

Voting starts Sunday afternoon (January 28, 2018) and ends on Saturday (February 3, 2018).

Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Painting on Fabric Quilts

Painting on Fabric Quilts

I treated myself to a box of Derwent Intense 24 Ink Pencils earlier this year, and an online class from IQuilt entitled “Artistic Painted Applique”.  The instructor, Linda Poole, showed us how to first create a pallet of color to familiarize ourselves with the variety of ink pencils in the pack.

After Ironing some freezer paper onto the back of a piece of white cotton, I drew some circles and filled each in with a different color of the Inktense Ink Pencils.

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Adding textile medium brings the pencils to life…

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They react like watercolor or paint on the fabric.

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Next I backed a piece of stabilizer to the back of my fabric & sketched a bird I’d seen at our feeder earlier this year.

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Then it was just a matter of coloring and adding the textile medium to blend it all together.

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The color is beyond the sketch lines because I needed to that cut it out and fold over the edges to applique.

I usually start with an overall idea of what I want to do…many times from a photograph I’ve taken.  But this time I worked “backwards”—having to come up with a background scene to place my little bird on.  It took me awhile to figure out what that would be.  The bird seemed to want to perch itself on a branch of some sort.  I was lucky enough to find a beautiful batik in my stash that worked perfectly for a background.

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I drew in some lines where fabric “branches” would be fused, and cut various sizes of leaves out of a multicolor orange batik for the leaves.  Next came the free-hand overall quilting to accentuate the veins of the leaves and down each branch.  I decided on overall “pebble” quilting for the background around the bird and some branches/leaves.

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I also quilted other free-hand stitches, including outlining the bird (and his feet)…

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and a feather stitch on the top portion, and swirls/meandering on the bottom.

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After trimming, I added folded triangles to each corner to make it easy to mount on the wall with a simple thin wooden dowel and one nail or hook.

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And I “framed” it with a black binding.

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The Red Breasted Grosbeak I saw earlier in the spring hasn’t come back, but this quilted art wall hanging will be a permanent reminder of his beauty!  Hope you enjoyed watching the process!

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Until next time,

HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Project Quilting Challenge: Vacation

Project Quilting Challenge: Vacation

This week’s Project Quilting Challenge is “I NEED A VACATION”.  My favorite vacations are traveling to a beautiful spot, finding a cabin or home to rent, and relax by the lake, river, or ocean and just take in the beautiful view.  We might do some day trips in the area, like hiking or going out for lunch, but always coming back to the serenity and beauty of the surroundings of the spot we’ve rented.

I found a photograph I had taken this past summer when we ventured up to one of our favorite spots near Bayfield, Wisconsin.  A short walk from the back of our cottage is a rocky private beach with a spectacular view of Lake Superior, with Bass Island and the rest of the Apostle Islands, in the background…it was breathtaking!  I loved walking down to that spot with a cup of coffee every morning to take it all in.  So when I heard “I need a vacation” as the theme, this is where I’d want to be.

My first step in creating the scene was to find fabrics that had the same feel as the photograph (and my memory of it), and cut a piece of batting and backing to the size I wanted to serve as the backdrop “canvas”.

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Then I cut and positioned the background and shoreline onto the batting.  I had just purchased something new—a Fons&Porter glue pen.  It worked great to keep everything in place.  I found it a lot less messy than the regular glue stick.

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Bit by bit, auditioning fabrics–some that didn’t work, and others that did, I continued adding to the scene.

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I thought the trees and bushes needed a bit more depth, so I got out my soft pastels and went to work, shading the foliage…

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And adding some depth to the water and rocks…

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I’m glad I purchased the set (on sale).  I used a blending stick to blend it in.

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The sailboat is small in the distance, so I decided to create it by thread painting…

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After quilting, I wanted to add a border…so I auditioned several different fabrics and came down to three possibilities…

I didn’t care for the dark blue-grey, it seemed too dark and gloomy.

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The blue batik was interesting, but the black piping was too harsh…

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I felt the brown brought out the color of the rocks, so I went with that…

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Here the borders have been added…along with more batting and backing.

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And here’s the finished art quilt…

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With a close up of the water…

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and the thread painted sailboat in the distance.

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I hope you’ve enjoyed the journey, and that you’ll stop by Persimon Dreams website PROJECT QUILTING and vote for your favorite quilts!

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The voting begins February 21 and runs through February 26 (2016).

UPDATE:  The voting has closed.  I came in #3 of 39 entries–no prize, but no bad!

Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Mosaic Pixelated Quilted Wall Hanging

Mosaic Pixelated Quilted Wall Hanging

I found this photo of my dad (Harry Haverkate) that I  just love.  Isn’t he handsome?

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I’m not sure of the year, but It was probably taken around the time he was dating my mom (early 1930’s), when he was in his early 20’s.  Back in the time when men often wore suits and always wore a hat.  I thought dad looked so “dapper” with his hat tilted just right.  So I named this quilted wall hanging “Dapper Dad” to hang in our hall in his honor.

I found two websites that will make your jpeg photograph into a pixelated document for free:

One website is pic2pat:   http://www.pic2pat.com/index.en.html

The other is http://vam.demo.lemberg.co.uk/interactive/ppm/landing

I scanned the photo, cropped it, and then used the website to convert it into a document with numbered pixels (squares) that I could print out to use as a guide.  Next I drew a 1/4” grid (with my ruler and permanent marker) on a piece of light weight fusible interfacing, and placed it fusible side up on my portable ironing surface.  I cut strips of my hand dyed brown fabrics just a bit wider than 1/4”, and I sorted/numbered them light to dark.

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Using the numbered grid as my guide, I started choosing and cutting individual 1/4” squares and “tacking” them onto the fusible interfacing with my small iron.  In areas where more than one square was the same color, I used strips instead. And in large areas with the same number I simply cut squares or rectangles slightly larger than the section.

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It’s very much like putting a puzzle together, but you’ve got a guide to help you.  It’s very “mindless” and relaxing.  I love doing it.

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Here (above) are the strips in a bin helping me keep the numbers straight.

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You can’t see much of anything as you’re putting the puzzle together (see close-up shot above); you just have to trust that it’s going to work.

 

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But when you back up a few feet, you begin to see the photograph come to life!

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Then back up even further, and it really begins to look like something!

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After adding the batting (pellon fleece) and a backing fabric, I took the fusible interfacing with the squares completely cover it, to my Bernina and free-hand quilted using similar colors of variegated cotton thread.

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After adding a striped 3-D border, brown inner border, and paisley outer border and dark brown binding, it was ready to hang in my hallway.  (Sorry for the yellow tint.)

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From a distance, you can really see “Dapper Dad”.

Have you tried pixelating in your quilting?  If not, give it a try—it’s so rewarding.

Beagle1     MosaicCat1  pixelated Josh Rhi   Pixelated Pastor Brad

Hope you enjoyed reading about the process.

Have you tried pixelated quilts? I’d love to hear how your experience was.  Please post your comments below, and include a link to your photo if you can.

UPDATE:  I was so pleased to find out the photo quilt got an “honorable mention” ribbon at the Sun Prairie Quilt Show earlier this week!

  
Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts