Project Quilting Inspiration

Project Quilting Inspiration

It’s that time of year again! The holidays are over, and it’s time for Kim Lapacek of Persimon Dreams to begin the first week of the Project Quilting Season 10 challenge.

When I saw the first challenge phrase, “Hope Springs Eternal“, I instantly thought of a photo my son & daughter-in-law sent us of our sweet little granddaughter looking up in awe as she “helped” decorate their Christmas tree.

Isn’t she a sweetie? She’s just between 1-1/2 & 2…So this is the first time she’s really enjoying the tree. And that look on her face is just full of wonder and hope for what’s to come.

Not only does it represent the hope of things to come for her, it represents our hope of flying half way around the world to see her soon. I’m so grateful that I live in an age where we can video-chat online weekly and get instant photos every day, but it’s just not the same as seeing them all in person. I can’t wait to give her a hug and play together.

To start the challenge, I printed an outline of the photo on paper and used my Cutterpillar light box to lightly trace some of the important features onto white muslin with pencil.

Next I sandwiched the white muslin on top of batting and backing and started thread sketching (which also served as free motion quilting) with black cotton Aurufil thread and my Bernina BSR foot.

I decided to thread sketch everything…her sweatshirt, hair, and even the needles on the branches of the Christmas tree. And it helped to look at the photo of her beside me on my computer as I sketched in all of her features, starting with her eyes.

I’m so glad I’ve got a nice selection of variegated cotton Sulky thread! I think they really help add depth…

my granddaughter has the cutest pink cheeks (just want to kiss them!), and I couldn’t get the effect I wanted with thread…so broke out my stash of Derwent color pencils and started coloring… adding a bit if color to her lips, her hair, and some shading.

Now that’s a bit better!

A little more shading, and then I added a double border of batik fabrics.

Here’s some close up photos…

I started so late on this challenge, … I wasn’t sure I’d have enough time. But once I started, it just came together and I loved every minute. You really CAN do it in a week.

Participating in PQ is so much fun, because it forces me to try a new technique or idea and actually get it done. I don’t have time to worry about failing or to quit and start over. It is what it is. And I can’t procrastinate when it HAS to be done from start to finish in only one week!

The voting starts this Sunday afternoon (January 13, 2019). Come vote for your favorites…but of course I’d love your vote!

VOTE HERE. Be sure to scroll down to the end.

I believe the voting is open January 13-19 and the winners announced Jan. 20.

Until next time,

Happy Quilting!

Jane

Mulberry Patch Quilts

Infatuated with Mosaic Quilts

Infatuated with Mosaic Quilts

Over and over again, I’m drawn to quilts that incorporate tiny bits of fabric into mosaic patterns. They create such interesting designs, I can’t get enough.

Recently I was thrilled with an episode of Quilting Arts TV that featured a mosaic quilt technique used by Heidi Proffetty. I was so blown away by her talent, that I wanted to share some of her amazing work with you.

Her quilt “Daddy Hold My Hand” (below) is a great example of her mosaic fabric technique.

“Daddy Hold My Hand” by Heidi Proffetty

I found this wonderful article from Superior Threads about her:

https://www.superiorthreads.com/feature-mosaic-art-quilts

Heidi says she begins with an inspiring photo. Using her computer, she reduces the colors and transforms the photo into a mosaic drawing. Using her iPad and a vector app, she creates a .SGV file that she can upload to her digital cutter to cut all the individual tiny pieces (like tiles) of fabric for the mosaic quilt. After assembling the tiny pieces onto a background fabric, she free-motion stitches them all in place.

Here’s a more detailed step-by-step article about her process:

https://www.superiorthreads.com/feature/mosaic-art-quilts-step-by-step

Heidi recently won First Place (People, Portraits, and Figures) for her quilt “Is She Ready Yet?at the 2018 Houston Int’l Quilt Festival. Isn’t it stunning

Close-up (quilt by Heidi Proffetty)

You can see the free-motion quilting in the closeup. And you can readily understand how a digital fabric cutter could be helpful in cutting each and every one of these unique shapes. Just the thought of cutting them all by hand is overwhelming.

Although I’d love to try her technique, I don’t have access to a digital fabric cutter, so I’d need to cut the individual pieces by hand. Wouldn’t it be fun to give this technique a try in a small scale project. Something a bit smaller…for example, try it on just a section of an inspirational photo?

I’ve tried a similar technique doing mosaic art quilts like my Lady Liberty, but the mosaic fabric shapes used were all squares. Using all these individual and unique shapes adds so much depth to her work. It would be fascinating to try.

This will take some experimentation, but let’s see if I can come up with something…

Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Project Quilting Stitch in Time Entry

Project Quilting Stitch in Time Entry

So…I thought about the challenge for Project Quilting this week…A STITCH IN TIME SAVES NINE. And nothing came to me for several days. I thought this would be the week I just didn’t enter.

Then, as I was thinking about the time change this Sunday…and about having more daylight, …the sun was shining (even though we did get more snow a few days ago)…and the birds were singing outside. They weren’t singing their usual winter chirps, but their special beautiful spring time songs! Then I thought about how I should be saving bits of colorful ribbon, yarn, and little strips of fabric and putting them outside so the birds could use them because they’ll be building their nests soon. And the idea for the challenge came to me…

I started to equate “a stitch in time” with the little birds getting their nests “stitched” together with bits of string and twigs. And then I started to visualize nests made out of fabric selvages and bright fabric strips. And the idea started taking shape!

I used scraps from my stash to flip and sew the background, and fused the appliqué shapes on top. Then cut up a bunch of my selvedge edges I’ve been saving and quilted them down to create the nest.

I even found the Stonehedge fabric selvage from their fabric called “a stitch in time”!! What are the chances? Totally unplanned! How cool was that?

So here’s my entry for Project Quilting Season 9, Challenge #5 “A Stitch in Time”. I hope you’ll stop by the website to vote for your 10 favorite entries. Voting starts after noon (Wisconsin time) on Sunday, March 11, 2018 and I think it runs through Friday, March 16, 2018.,

Until next time…HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Project Quilting 9.2 Entry: Mosaic Falling Leave

Project Quilting 9.2 Entry: Mosaic Falling Leave

I’m still intrigued by the idea of fabric mosaics, so I thought I’d carry that idea a step further into this week’sProject Quilting 9.2 “Triangulation“. It’s risky… because I’m not sure this will work–it could be a huge failure, but I think it’s worth a try.

Instead of cutting the square fabric tiles,like I did in my last post, this time I’m thinking of stepping it up a notch by cutting the tiny squares into even tinier triangles and placing them onto an overall gridded pattern to replicate leaves or vines cascading down in shades of green and brown … very organic, very arts & crafts (which I love). I happened upon a beautiful tiled wall and that was the inspiration for this idea.  Plus, it gave me a good reason to use up some of the lovely fabrics I hand dyed.

I’ll start by drawing a grid on paper to use as a guide for placement, and cover that with the Steam-a-Seam 2–with one uncovered sticky side up. I can use my 3/8″ slotted template to cut the squares & then cut them in half corner-to-corner to make lots and lots (and lots) of triangles. I don’t want the triangles too large, since my Steam-a-Seam 2 sheet that I happen to have on hand is only 9×11 inches or so…and I only have a few days to get it done–the challenge deadline is fast approaching (hope I make it).

I wonder if the idea will translate well as I progress filling in the grid one by one with different values of green…and then brown…? Hmmmmm.

Little by little, one triangle at a time, it’s beginning to take shape…

It almost looks like a forest to me at this point.

I’m thinking a charcoal gray Kona cotton fabric will work best for the background “grout”. Black might be too dark and get lost in the top half of the quilt, and white might be too much of a contrast. I’ll have to audition a few grays to get the right one.

After ironing the quilt sandwich together with batting and backing fabric, I’m off to my sewing machine to stitch between the “tiles” with matching gray cotton thread.

That’s done!  And I’ve added the border (simple gray).  So I’m on the home stretch! Time to do a little hand sewing on the binding…I always save the last bit of my assortment of Aurifil threads in a special place for my hand sewing…

I love my little doll pincushion that my friend brought me back from her trip to Liberty of London…(I almost hate to stick her with pins!)

What do you think about it Snicks? … too tired to comment?

Done, done, done…with a few hours to spare…whew!  Time to get a square photo uploaded for the contest.  Since it’s not square, I hope this one will be the best choice…

Please stop by at the website for Project Quilting Season 9: Triangulation to vote for your 10 favorite quilts”!

Voting starts Sunday afternoon (January 28, 2018) and ends on Saturday (February 3, 2018).

Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Art Quilt with Ties

A dear friend lost her husband to cancer this past year.  When she approached me to make a memorial art quilt out of his ties for her mother-in-law, I didn’t have to think twice about it, since it had already been on my mind.

But I’d never worked with ties before as material for an art quilt—could I be successful?  How hard is it to take a tie apart?  How strong is the material?  Should I use a stabilizer? These are all questions I pondered while going through the huge box of ties that she provided.  I’d love to share with you what I discovered.

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First of all, it’s SO EASY to take a tie apart.  There’s one strong thread that holds the seam down the back of the tie.  Once you locate this thread, make one cut, and give it a good tug from the opposite end, and it’s done!  Take out the lining and you’ll still need to deal with both ends.  I chose to cut them off, but a little seam ripping would also work.

I had an idea in my head about what I wanted to do…a small landscape art quilt based loosely on a pattern I’d used earlier (see post HERE).  So my first task was to see what I had to work with.  I pulled all the ties that had the colors and textures that might work, and lined them up on my design wall (there were a lot more that didn’t make the cut and were left in the box for later).

What amazed and surprised me was the texture and beauty of the tie fabric once it was washed, ironed, and ready for use.  Some were very light weight and needed stability (I ironed on a light weight fusible woven interfacing to those).  Others were a heavier weight and I used them as they were.  I also found out that the reverse side is sometimes even more interesting than the “right” side.  I used both to get the shading I needed.

I knew I needed to wash all the ties—but when: before or after deconstruction?  I experimented, putting about a dozen ties in a zippered netted bag (the kind used for dedicates) and tried washing some before and some after deconstruction.  Both came out tangled, and both worked, but washing before deconstructing really helped keep the mess and tangles to a minimum and made it much easier to pull apart and iron. Once that was done, and the ties were all deconstructed and ironed, I started pulling out ties for the birds.

Here I’ve cut the pieces for the bird applique (using Steam-a-seam 2) and will fuse it together.

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I was surprised by the texture of the beautiful silks used in the ties.  I even used the linings for solid black and white on the bird’s head.  So the entire center of the art quilt was made exclusively with the tie materials.

Here you can see the chickadees fused and ready to be placed on the background.  I’m starting to choose the ties by color and texture that will work for the sky, mountains, and foreground.

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There were some limitations in the color selection, so I got creative and used both sides of the ties and added yellows and gold.

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Most of the tie material is not backed with interfacing, or Steam-a-Seam 2—they’re simply laid onto a fusible pellon fleece batting with the fusible side facing up.  However, the log cabin was prefused together the same way as the chickadees.  Notice the smoke coming up from the chimney of the log cabin—it’s that tie interfacing.  It was shear and luminescent and made the perfect smoke.

Here (below) it’s starting to take shape. I tried to get contrast between the sky, mountains, and foreground scenery.

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When the branches, leaves, and pre-fused chickadees were added, it really started to look complete.  Notice I placed a piece of parchment paper under the leaf in the lower left hand corner so it wouldn’t fuse down and I could choose to fuse it on top of the border after the border was added.  The backing and batting are about 3-4 inches larger on all sizes to make it easier to add a border if I chose to.

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I thought it did need a border, so I added a narrow inner border using black cotton fabric (the only part of the quilt that wasn’t tie material), and pieced a border of tie material for the outer border.

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Then I quilted everything using several colors of veriagated cotton threads.  I used a bit of gold thread on the sky for sparkle.

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And here it is—finished and ready to present to my friend to give to her mother-in-law in remembrance of her son…

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After I finished, I really felt my friend needed a remembrance art quilt she could keep too, so I created a second art quilt just for her… actually, she can choose which one to keep and which one to give.  It’s based on the same idea, with the same Chickadees, but has a pieced background over Lake Mendota with the sun.

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And couldn’t forget her two wonderful children…  I thought they might like a Christmas stocking to remember their dad each year.  I couldn’t find enough “Christmas-like” ties to choose from so I used a red cotton fabric for the cuffs, backing, and lining and did a crazy-quilt patch design on the front, using tie material backed with fusible stabilizer.

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I really enjoyed working with ties.  It was a new experience, and I may get out the box of my father’s ties that I’ve been saving to do something similar.

Whether you have saved a loved ones ties, or decide to go to a thrift store, I encourage you to give it a try.  I found the tie material is so beautiful, the silks give your project a wonderful sheen, and there are so many patterns, textures, and colors to choose from. Why not give it a try?

Until next time,

HAPPY QUILTING!!

Jane

Mulberry Patch Quilts

Chickadee Mountain View Art Quilt

Chickadee Mountain View Art Quilt

I’ve been wanting to create a second art quilt using a pattern by McKenna Ryan as the inspiration.  It’s a peaceful mountain scene featuring a branch in the foreground with Chickadees.

The challenge for me was to try to find just the right fabrics for each portion of the scene by auditioning them one by one.  I wanted choose the best fabric to give  the contrast needed in the composition.

I started by creating the background, including the borders (so that the branch could be appliqued to extend into the borders.

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Then I draw each part of the landscape onto a sheet of Seam-a-Steam 2 Lite.  (I’m so glad this product is back on the market again.)  I love it because it a double-faced fusible that has paper on both sides.  You peel one side off, and it’s “sticky” so it clings to the fabric you want to use, but it repositionable.  Then you fuse it with the iron, and wait for it to cool down before cutting and peeling off the second paper to fuse it to the background.

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I started with the background and then cut and fused the individual items to it, starting with those furthest back and ending with those closest to the foreground.

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I “auditioned” several fabrics before deciding on which ones to use, and which ones didn’t work.

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The log cabin and trees were fun to pull together.  For the chickadees, I created each bird separately and fused the pieced together as one and then set and fused them to the branches.

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Here’s the chickadee & log cabin after they’ve been quilted with a bit of thread painting.

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After everything was fused down, I quilted and thread painted with different colors of thread.  My favorite thread is Aurifil. They have so many luscious colors to choose from.

Here’s the result after quilting and binding.

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I immediately put it for sale in my Etsy shop, and it’s been sold and is on it’s way to it’s new home in Toronto, Ontario.

Until next time,

HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Mosaic Pixelated Quilted Wall Hanging

Mosaic Pixelated Quilted Wall Hanging

I found this photo of my dad (Harry Haverkate) that I  just love.  Isn’t he handsome?

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I’m not sure of the year, but It was probably taken around the time he was dating my mom (early 1930’s), when he was in his early 20’s.  Back in the time when men often wore suits and always wore a hat.  I thought dad looked so “dapper” with his hat tilted just right.  So I named this quilted wall hanging “Dapper Dad” to hang in our hall in his honor.

I found two websites that will make your jpeg photograph into a pixelated document for free:

One website is pic2pat:   http://www.pic2pat.com/index.en.html

The other is http://vam.demo.lemberg.co.uk/interactive/ppm/landing

I scanned the photo, cropped it, and then used the website to convert it into a document with numbered pixels (squares) that I could print out to use as a guide.  Next I drew a 1/4” grid (with my ruler and permanent marker) on a piece of light weight fusible interfacing, and placed it fusible side up on my portable ironing surface.  I cut strips of my hand dyed brown fabrics just a bit wider than 1/4”, and I sorted/numbered them light to dark.

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Using the numbered grid as my guide, I started choosing and cutting individual 1/4” squares and “tacking” them onto the fusible interfacing with my small iron.  In areas where more than one square was the same color, I used strips instead. And in large areas with the same number I simply cut squares or rectangles slightly larger than the section.

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It’s very much like putting a puzzle together, but you’ve got a guide to help you.  It’s very “mindless” and relaxing.  I love doing it.

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Here (above) are the strips in a bin helping me keep the numbers straight.

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You can’t see much of anything as you’re putting the puzzle together (see close-up shot above); you just have to trust that it’s going to work.

 

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But when you back up a few feet, you begin to see the photograph come to life!

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Then back up even further, and it really begins to look like something!

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After adding the batting (pellon fleece) and a backing fabric, I took the fusible interfacing with the squares completely cover it, to my Bernina and free-hand quilted using similar colors of variegated cotton thread.

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After adding a striped 3-D border, brown inner border, and paisley outer border and dark brown binding, it was ready to hang in my hallway.  (Sorry for the yellow tint.)

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From a distance, you can really see “Dapper Dad”.

Have you tried pixelating in your quilting?  If not, give it a try—it’s so rewarding.

Beagle1     MosaicCat1  pixelated Josh Rhi   Pixelated Pastor Brad

Hope you enjoyed reading about the process.

Have you tried pixelated quilts? I’d love to hear how your experience was.  Please post your comments below, and include a link to your photo if you can.

UPDATE:  I was so pleased to find out the photo quilt got an “honorable mention” ribbon at the Sun Prairie Quilt Show earlier this week!

  
Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts