Project Quilting Challenge 10.5 Words

Project Quilting Challenge 10.5 Words

This week our PQ challenge designer, Trish, came up with a word about words that I’ve never heard before… abecedarius. …what? My spellchecker can’t even find it (lol).

The word “abecedarius” means “an alphabet primer.” Literally, the word itself is made up of a+b+c+d! It can refer to a form of poetry where the first letter of each line or verse is the next letter of the alphabet, or it can be a book where each letter is defined (A is for … B is for …).

Lucky for me I can interpret this challenge very loosely, and make it into an opportunity to make a paper pieced wallhanging with a background made up of fabric with words!

I found this in amazing Moda fabric in my stash. It features dozens and dozens of actual quilt store names. Do you recognize any of the shop names? I recognize a few. They’re from all over the US.

Trees8The pattern I’m using is paper pieced. Don’t you just love paper piecing? I think it’s relaxing…no stress, no seams to worry about matching. And somehow, by using the lines on the paper as sewing guides, it all comes out nicely in the end.

Here are some of the pattern pieces on the design wall. I think the hardest part was choosing which fabrics go where.

A light box really helps with the paper piecing process. My new Cutterpillar came with a translucent self-healing cutting mat so I can actually rotary cut the fabric right on top of it.

It doesn’t take long for the trees to magically emerge on the back side of all the papet piecing patterns.

And here the little trees are…ready to square up and quilt.

I chose to quilt straight lines with my walking foot…outlining the trees and then filling in the background with rows of horizontal stitching..

Trees6

And here’s the result: I’m calling it “Whispering Pines” because they seem to be whispering the names of all those quilt shops in the background … all calling my name to come shop (lol).

Trees4Very simple, but sweet.  The wall hanging has hanging triangles on the back top corners to make it easy to hang on the wall.  It’ll soon be in my Etsy Shop for sale.

Trees5a

COME JOIN IN THE FUN…go to the Project Quilting website to see this week’s entries and to vote for you favorites (hope one of them is mine, #14 “Whispering Pines” …hint, hint). Voting starts Sunday afternoon, March 10 and runs through Friday, March 15, 2019.

HOW TO VOTE: Just go to the link above, scroll down to the bottom until you see the thumbnail photos of the quilts. Then click on the heart in the upper right hand side of the photo of the entry you want to vote for ❤️ and it’ll fill the heart in & tell you how many votes you have left. If there are over a hundred entries, you’ll get 10 votes. Enjoy!

Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Fear-less — Pixel Play Project Quilting 10.4 Challenge

Fear-less — Pixel Play Project Quilting 10.4 Challenge

This week Trish (our challenge designer for Project Quilting) chose PIXEL PLAY for our 10.4 challenge.

This week, I’d like you to be inspired by these particles, whether you pixelize a picture, make use of low resolution like 8-bit graphics, or are merely inspired by these hard-working colored boxes.

Since I love to work with mosaics, the thought of working with pixels was inspiring. So I’m definitely IN this week. Thanks Trish!

I found a website (Pixel Stitch) that will convert a photo to an embroidery pattern made up of squares. Although it’s made for embroidery, it creates a grid of the pixels in the photo with colors, so it works for pixelated quilt patterns just as well. All I had to do was figure out how big each square would need be to make a reasonably-sized quilt that I might actually be able to finish during a busy week.

https://www.pixel-stitch.net/index.html

Another site (Pic2Pat) does the same thing: http://www.pic2pat.com/index.en.html

We had an juvenile owl, called a “jumper” (because it was just learning to fly), in our back yard a few years ago. You can read about it HERE. It was rescued and placed back in its nest. I’ll never forget the surprise I got when I saw the little guy several days later. He had learned how to fly and was sitting on our back yard fence staring at me with those big yellow owl eyes, almost as if to say “thank you…I’m fine now…and I’m fearless”. I knew that I had to capture the fierce look in those riveting, yet beautiful eyes in a future quilt.

I thought I needed to print the pattern to the full size, but later realized all I really needed was a copy large enough to follow alongside my gridded work surface.

The printed pattern sheets taped together

The next decision was what technique to use to get all those little squares (half inch) together on a quilt? The squares are far too small for me to piece. I’ll have to use a raw edge technique. Hmmmmm… how about placing squares on some sort of foundation and stitching over them to keep them in place. But what kind of foundation? I’ve used fusible woven interfacing before and ironed them into place. I’ve also used Steam-a-Seam II. Or I could use a temporary glue on muslin to keep them all in place until they’re stitched down. Or even pin tulle over them before stitching.

I decided to use a technique I used to do the quilt of my father in a previous post. It involves marking a quarter-inch grid on a fusible light weight interfacing and ironing each 1/4″ fabric square to the grid using the printed pattern as my guide.

Half-inch squares of batiks sorted by value

Placing squares side-by-side on the fusible interfacing grid

Original print out helps keep me on track

I placed a shear tulle over the squares before I started free motion quilting.

Strips of paper help keep me in the right place

Superior & Aurifil threads for quilting

Closeup of free motion quilting

Closeup of the owl eye

And the little guy is done! Doesn’t he/she look fearless? And I finished just in time to enter it in this week’s Project Quilting Challenge Season 10.4 (2019).

COME JOIN IN THE FUN…go to their website to see this week’s entries and to vote for you favorites (hope one of them is mine, #36 “Fear-less Owl”, hint, hint). Voting starts Sunday afternoon, Feb. 24th and runs through Friday, March 1st, 2019.

HOW TO VOTE: Just go to the link above, scroll down to the bottom until you see the thumbnail photos of the quilts. Then click on the heart in the upper right hand side of the photo of the entry you want to vote for ❤️ and it’ll fill the heart in & tell you how many votes you have left. If there are over a hundred entries, you’ll get 10 votes. Enjoy!

Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts

My Favorite Iron for Quilting

My Favorite Iron for Quilting

One New Year resolution for 2019 is to organize leftover scraps, so I decided to spend a little time this morning ironing the mess. It just makes it so much easier to find what I need. That made me think about how much I love my iron…and about sharing that with you.

You may remember the earlier blog about the problems I had with the Rowenta Pro Steam Iron. I desperately needed a new iron. There are so many irons out there, I had no idea where to start.

Then I remembered the iron I used while I was at the quilting retreat at The Jones Mansion …a gravity fed iron. It was by far the BEST iron I’d ever used.

The model I decided to purchase was the Hot Steam Gravity Fed Iron, and I ordered it through Wawak.com sewing supplies (right around $100, including the iron, hot plate, hose, & water tank).

It was easy to hang the water tank from a plant hanger I attached to the wall above my window. And it uses tap water with a demineralizer (resin) that only needs replacing a couple times a year. It heats up fast, creates nice flat seams, and the on-demand steam by pressing the thumb switch is wonderful.

The only downside is that it’s not very portable. Because of the water tank, it is easiest to keep it in one spot.

Here’s the water tank…

And my lovely iron…I’ve had it for almost 5 years now and still love it! ❤️

Paired with my homemade large ironing board surface and my new Wooly ironing mat, I’m a very happy camper (or I should say happy quilter)!

Until next time, HAPPY QUILTING,

Jane

Mulberry Patch Quilts

Project Quilting 10.3: EQ8 and French Inspiration

Project Quilting 10.3: EQ8 and French Inspiration

This is the third challenge in Season 10 of Project Quilting, and the only rule is that it’s “Bigger than a breadbox” Wikipedia says they’re usually 16″ x 8″ or so, and that’s the MINIMUM size for the completed piece to meet this week’s challenge” … OK, I can do that.

I’ve been wanting to challenge myself by:

  1. Using a small French linen printed panel I bought at the Madison Quilt Expo
  2. Improving my piecing ability
  3. Designing it completely on EQ8 (Electric Quilt software)

First I got out every red & beige fabric I could find from my stash. I love the fat quarter pack I recently found at the Craftsy site (which is now Bluprint), called Boundless Ruby Rue. Isn’t it beautiful fabric?

Next I opened up my EQ8 software and created a quilt the size of my center panel (finished 6×6 inches) and experimented by adding one border after another until I reached the required size. EQ8 lets you import pdf images from fabric companies (I found my Ruby Rhu online & downloaded) so I could “paint” the blocks on my pattern draft with my actual fabric! And could scan the panel so it shows ad well. So cool.

I printed out a first draft the quilt (full color & one just outline), and rotary cutting instructions (see above & below).

After adding the first two borders (above), I did a little tweaking on the pattern to get the next borders right.

Piecing 4-patches this tiny isn’t easy. There are so many seams, even a slight error on piecing really adds up to a disaster! I found it helpful to “square up” each tiny 4-patch before continuing to piece the row.

It helped enormously to do some checking every step along the way! You wouldn’t think it, but even a sliver makes a difference (and I can use all the help I can get).

Almost there! All I need is one more border. I had just enough of the light rose stripe to finish the last row of 4 patches…so I’ll need to choose a different fabric for the last border.

Here’s the final draft of the pattern for my wall hanging done on my EQ8 software…

And here’s the actual wall hanging…it ended up to be 20 inches square.

I couldn’t bare to part with it, and I think I found the perfect spot for it on my kitchen wall…next to my Cappuccino maker.

But first…coffee! LOL. (My sister brought me this sign the last time she visited…my morning for sure!)

I’m entering this wall hanging in this week’s Project Quilting Challenge Season 10, challenge #3. Stop by their website to see this week’s entries and to vote for you favorites (hope one of them is mine, #25 hint, hint).

Voting starts Sunday afternoon, Feb. 10 -& runs through Friday, Feb. 15, 2019.

HOW TO VOTE: Just go to the link above, scroll down to the bottom until you see the thumbnail photos of the quilts. Then click on the heart in the upper right hand side of the photo of the entry you want to vote for ❤️ and it’ll fill the heart in & tell you how many votes you have left. If there are over a hundred entries, you’ll get 10 votes. Enjoy!

UPDATE: Voting has closed. Thanks so much for your votes!

I didn’t win, but a very talented quilter, fellow Etsy Quiltsy Team member, and good friend Sally Manke did! Very well deserved. congrats Sally! Mine came in at #29 of 136 entries

Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Quilted Hearts and Twister

Quilted Hearts and Twister

I’ve been wanting to make something for Valentines Day, and when the theme of “Red, White, & Blue” for Project Quilting Challenge #2 (Season 10), I knew what I wanted to make.

The challenge states you can use reds, whites, and blues…any shades…no other colors, but you DON’T have to use all three colors.

  1. RULE#1…Your project should contain ONLY the colors RED, WHITE, and BLUE. It does not have to use all three, but it cannot include any additional colors.

So I decided, with Valentines Day coming up, I’d limit my colors to just the red and white. I went to work scrounging in my fabric stash for every shade of red and white (with no other colors in them) that I could find.

After going through my patterns, searching Pinterest, and having a desire to use my Lil’ Twister tool again, I found a tutorial by Connie Kresin on the cutest little Twister heart pattern and decided that was the one!

I made a quick sketch of the layout of the square colors on paper, and then cut the fabric stash into 5 inch squares. Here they are (below) pinned on my design wall. I realized quickly that it’s best to have contrast between each square (except for the background that’s all the same white with red print).

I sewed the squares together.

Question: do you press the seams to one side (each row in opposite directions) so the seams nest together making the columns easier to sew together? Or do you press the seams open so there’s less bulk at the intersections, making it easier to cut and piece the pinwheels later?

I decided to press the seams open. It takes longer, but it sure makes cutting & sewing the pinwheels easier later.

The next step involves the Lil’ Twister square template. Just line the black lines on the template with where the seams intersect and cut. I twisted them slightly and carefully placed them side by side in a row as I cut them.

Before going on to cut the next row, I like to sew the row together, and even sew the rows together too…less chance of getting them mixed up.

after cutting everything out, you’ll end up with lots of tiny pieces of leftover fabric… I like to trim them to 2-1/2 inch squares to use in another project. I ran out of the background fabric, but if I had more of it I might have used these squares in one of the borders.

This is the fun part! I love ❤️ seeing the pattern–in this case the heart–emerge as I piece it together. Magical!

To keep everything nice and flat, I used Best Press on each row.

All that was left was to add a couple borders, add the batting and backing, and quilt it on my domestic machine (my sweet Bernina 570QE).

Using various reds (Aurifil and Sulky threads), I free motion quilted petals in each pinwheel. And with a walking foot and white thread, did a straight stitch around the heart shape and around the border.

and here it is!

I’m entering this Twisted Heart wall hanging in this week’s Project Quilting.

UPDATE: The voting is now closed. No prizes this time, but it did rank #11 out if 118 entries. Thanks so much for your vote!

Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts

Project Quilting Inspiration

Project Quilting Inspiration

It’s that time of year again! The holidays are over, and it’s time for Kim Lapacek of Persimon Dreams to begin the first week of the Project Quilting Season 10 challenge.

When I saw the first challenge phrase, “Hope Springs Eternal“, I instantly thought of a photo my son & daughter-in-law sent us of our sweet little granddaughter looking up in awe as she “helped” decorate their Christmas tree.

Isn’t she a sweetie? She’s just between 1-1/2 & 2…So this is the first time she’s really enjoying the tree. And that look on her face is just full of wonder and hope for what’s to come.

Not only does it represent the hope of things to come for her, it represents our hope of flying half way around the world to see her soon. I’m so grateful that I live in an age where we can video-chat online weekly and get instant photos every day, but it’s just not the same as seeing them all in person. I can’t wait to give her a hug and play together.

To start the challenge, I printed an outline of the photo on paper and used my Cutterpillar light box to lightly trace some of the important features onto white muslin with pencil.

Next I sandwiched the white muslin on top of batting and backing and started thread sketching (which also served as free motion quilting) with black cotton Aurufil thread and my Bernina BSR foot.

I decided to thread sketch everything…her sweatshirt, hair, and even the needles on the branches of the Christmas tree. And it helped to look at the photo of her beside me on my computer as I sketched in all of her features, starting with her eyes.

I’m so glad I’ve got a nice selection of variegated cotton Sulky thread! I think they really help add depth…

my granddaughter has the cutest pink cheeks (just want to kiss them!), and I couldn’t get the effect I wanted with thread…so broke out my stash of Derwent color pencils and started coloring… adding a bit if color to her lips, her hair, and some shading.

Now that’s a bit better!

A little more shading, and then I added a double border of batik fabrics.

Here’s some close up photos…

I started so late on this challenge, … I wasn’t sure I’d have enough time. But once I started, it just came together and I loved every minute. You really CAN do it in a week.

Participating in PQ is so much fun, because it forces me to try a new technique or idea and actually get it done. I don’t have time to worry about failing or to quit and start over. It is what it is. And I can’t procrastinate when it HAS to be done from start to finish in only one week!

The voting starts this Sunday afternoon (January 13, 2019). Come vote for your favorites…but of course I’d love your vote!

VOTE HERE. Be sure to scroll down to the end.

I believe the voting is open January 13-19 and the winners announced Jan. 20.

Until next time,

Happy Quilting!

Jane

Mulberry Patch Quilts

Mosaic Quilts: My Infatuation Continues

Mosaic Quilts: My Infatuation Continues

So after seeing the gorgeous quilts by Heidi Proffetty (see my earlier post) and not having access to a digital fabric cutter (which is really a necessity for her technique), I thought I’d try creating another small mosaic art quilt using the simpler tiny squares recommended by Cheryl Lynch (see previous blog post).

I thought you might enjoy following along with the process.

The first step was to find a very simple, but inspiring photo that I could trace to make the pattern outline. I found a photo that I had taken last spring of a Trillium (my fav woodland wildflower).

I downloaded a tracing app for my iPad and used it to roughly trace the outline of the petals & leaves. Note: There are a lot of tracing apps out there (and I certainly haven’t tried them all), but this one (free) allowed me to upload my photo and trace over it with my finger or my computer stylus. It’s rough, but that’s okay…I can go over the lines again with a black Sharpie pen after it’s printed.

This particular app allows you to fade out the background (photo) so you can print only the lines, which saves printer ink. That’s a nice feature.

After saving the tracing as a jpeg file, I needed to enlarge it at 200% to get it to print to the size of a sheet of copy paper, which was the size I was looking for. Once my outline was printed, I used Cheryl Lynch’s technique of taping it to a piece of core board and then thumbtacking a sheet of Steam-a-Seam 2 over it, uncovering the top of the fusible to expose the sticky side up.

Next, it was time to go through my collection of cotton batik fabrics to see what colors might work for the tiles. I cut them into 3/4 inch squares, using Cheryl Lynch’s mini mosaic cutting guide and found that the more variation you have in the light/dark of each color, the better it looks.

Now for the fun part…placing each individual square fabric “tile” with a tweezers. It’s somewhat like putting a puzzle together…one area of color at a time, but you don’t have to make them all fit…you can trim pieces to fit as needed.

For a project this small it doesn’t take long to cut enough squares of fabric to get started. The variation in the value of each fabric color is the key. You don’t want them to look too flat by having each tile exactly the same color value. I added some bright yellow strips in the center of the flower.

It’s slowly progressing! It takes quite awhile to individually place each square with a tweezers, but it’s surprising how much is accomplished by working on it in 30 minute segments throughout a couple of days. Before you know it, it’s finished and ready to fuse to the “grout” fabric and add the tulle netting over the top …

…adding the borders, batting, & backing …

and do the machine quilting using white cotton thread and a walking foot. I stitched between the rows of mosaic squares in the “grout area”, and outlined the petals and leaves. I added a few quilted veins into the petals of the Trillium too.

Close up of the quilted veins & center of the Trillium

What do you think? Originally the background was all browns and green, but I decided it needed more contrast, so I took out some of the squares and re-did the top portion of the background in blue sky.

This one’s completed and for sale at my Etsy Shop.

I’m ready to try it again…how about you?

Until next time, HAPPY QUILTING!

Jane

Mulberry Patch Quilts