You’ll see in my recent posts that I’m obsessed with learning how much mileage I can get with my Accuquilt GO!Cutter and the dies I already own.
I love the simplicity of the Sawtooth Star block and so I decided to see if I could design some pieced items with it using the dies I have.
Although I don’t own the 8” Go!Cube, I have almost all the shapes (see those in bold print on the list below). The only one shape I was missing was for the “flying geese” part of the star: the #4 GO! Quarter Square Triangle — so I ordered it. Yay!
To make the SAWTOOTH STAR BLOCK, you need four die shapes: GO! Shapes 1, 2, 4, & 5 (I’ve listed all the shapes that come in the GO! Cube below, and highlighted in bold the four you need),
GO! Quarter Square Triangle-4″ Finished Square (55711) —ORDERED IT
GO! Half Square Triangle-2″ Finished Square (55712) —GOT IT
GO! Square on Point-3 1/4″ (2 3/4″ Finished) (55713)
GO! Parallelogram 45°-2 3/4″ x 3 1/2″ Sides (2 1/16” x 2 13/16″ Finished) (55714)
Next I fired up EQ8 on my laptop and started designing. Here are just a few of the ideas.
I decided start with the table runner using some beautiful spring fabrics I had in my stash by Robin Pickens for Moda. I seem to love every fabric line she designs!
After making two more stars, I changed the original design a bit by surrounding each star with a black inner border and the whole runner with red outer border.
I think it looks good as a wall hanging too.
It was so much fun to make, I couldn’t stop there…so next I tried piecing a simple table topper with only one star surrounded with an inner and outer border for myself.
That’s how easy it is to figure out how to get the most “mileage” out of dies you already own (or like me buy one more die) to create dozens of new blocks. I hope you’ll fire up your EQ8 software or get out your graph paper and give it a try!
If you like the table-runner, it’s now on sale in my Etsy shop. The table topper has a found a new home in my diningroom 😉.
I hope you’ll give the Sawtooth Star a try! Until next time, HAPPY QUILTING!
I purchased an Accuquilt Go die cutter awhile ago and have made so many great projects with it, including tumbler block baby quilts and Dresden Plate table toppers. But I wanted to use a combination of dies to create some other basic, well-known quilting blocks.
My original purchase of my AccuquiltGo! included a combination die (above). It has on it a 2” finished square, a couple 2” finished half square triangles (HST), and a 4” finished square.
Hey, that’s all I need to make the basic Bear’s Claw block! Perfect.
I haven’t yet purchased any of the the Accuquilt GoCubes. Mostly because I can’t decide which one to get! They have 6”, 8”, 9”, 12”, and have recently added a 4” GoCube. After doing a little research on the Accuquilt website I realized that each of these GoCube Sets cuts the exact same 8 basic shapes. The only difference is their finished size. The shapes are:
GO! Half Square Triangle-large
GO! Quarter Square Triangle
GO! Half Square Triangle-small
GO! Square on Point
GO! Parallelogram 45°
That means if you figure out the shapes you need for a block, the shape numbers are always the same, no matter which CubeGo you have—only the finished size changes.
The light went on in my brain! Ah-hah! I get it. I discovered I already owned shapes 1, 2, & 5. So all I need are a few more (shapes 3, 4, 6, 7, 8) and I’ll have all the dies in the 8” GoCube.
We’ve got mounds of snow outside, temps below zero, and covid all keeping us at home. So when Project Quilting announced it’s challenge theme of Virtual Vacation, I was on board! It was so nice to dream of a vacation while thinking about a quilt to make for the contest.
You’d think I’d be dreaming up a vacation to Florida, sunny Hawaii, or some other place warm. But I happened to see a photo on Pinterest of the Bayfield Wisconsin area in our beautiful northern Wisconsin winter, and it reminded me how much I miss our trips up to Lake Superior, and I wished we were there again. Of course I’d want to be warm and toasty inside a beautiful cozy log cabin with a roaring fire in the fireplace, a hot cup of coffee or cocoa, relaxing and looking at a gorgeous view (like this of Lake Superior) through a picture window (may as well dream big).
So I started digging into my stash to find just the right fabric for the snowy background, water, the islands, and trees…
I started with a rough sketch on paper the size I wanted. Then using my light box, I traced the basic shapes of the lake, hill, trees, and skyline in pencil. I got out my soft pastels and some fabric markers and my fusible web and powder.
I thought I might try my “Bo-Nash Fuse It” powder to help keep the fabrics in place. I sprinkled some powder between the fabrics and pressed to fuse them down. It’s the first time I’ve tried it, and I like it. It gives the fabric a lighter hand than the iron-on double sided fusible web and it keeps everything in place until I can stitch it down.
Does your studio get as messy as mine when you’re “in the zone” creating? I see some cleaning up in my future.
In the photo below, I’m adding the islands to the horizon, the water, and some birch trees. I used double sided fusible web on the trees, fusing it to the back of the tree fabric before cutting.
Now it’s time to use my soft pastels to shade and highlight to add some depth. Shading the trees, and under the trunks.
Oops, that pine tree needs redoing. And I think I’ll use a finer point marker for the additional twigs and branches. It’s a process…trial and error…to get it to where I like it.
Now the branches look better, and I like this pine tree better too. I think highlighting the upper water with a touch of white & pink helped and using a darker turquoise pastel helped to blend the two portions of water together.
I couldn’t resist making a mini art quilt using similar colors and scene. For the mini, I created the background on the batting/backing, and quilt that first.
And then I added the foreground and quilted that. Here I’m choosing different color thread for quilting the lake & snow.
Quilting (free motion & walking foot) is done. Here are a few closeups…
And here’s how the little mini turned out (only 5 x 7 inches)…
And here’s couple more photos (below) of the larger version again…
Since they were both done start to finish within the challenge dates, either one qualifies for the Project Quilting challenge. I think I’ll enter the larger one. Wish me luck!
And they’ll both be listed for sale in my Etsy shop soon.
Normally I bind my quilts (baby quilts, lap quilts, bed quilts) using double folded straight-of-grain binding cut between 2-1/4 to 2-1/2 inches wide, folded in half (wrong sides together) and sewn on the quilt. For more info on that process, go to my blog post: How to Bind a Quilt—The Secret to Perfect Corners. Double fold is great for projects that will take need to stand up to a lot of wear and tear.
But I’ve found that single fold binding is perfect for most of my smaller projects, like wall hangings, table toppers, etc. I think it has a better look…not as thick and bulky, but nice and crisp. Plus you save on fabric. Here’s how to do it.
Whether I’m making double fold or single fold binding, I always cut on the straight of grain (from selvedge to selvedge). The only exception to this rule are projects that have curved edges…something with rounded corners, scallops, or completely round. That’s the only time I bother to cut on the bias. For most of my art quilts, wall hangings, or runners (which all have straight edges) cutting 1-1/2 inch strips on the straight-of-grain is fine.
First, figure out how many strips to cut. Take the measurement of the parameter of your project by adding up the length of the sides, top, and bottom and cut the number of 1-1/2 inch wide strips you need to equal that number plus a few extra inches. It never hurts to have too much.
Sew the strips ends right sides together at a 90 degree angle and sew from one corner (where they meet) to the other corner (I’m pointing to it with my tweezers).
Trim the seams to about 1/4 inch and press each open.
Starting in the center of one side of the project and leaving a long tail (about 6 inches or more) start sewing one side of the binding to the right side of the project. When you’re 1/4 inch from the corner, stop with the needle down, pivot, and sew off the corner edge at a 45 degree angle.
Take it out from under the presser foot and turn to the next unsewn edge. Flip the binding up so it’s parallel to this next edge.
When I get junk mail, I save those laminated cards they often send. They’re perfect for this technique. Any thin plastic card or index card will work. This technique will help you get the feel for how to get perfect mitered corners on your binding. Just place the card across top raw edge of the quilt/binding (top) and bring the binding down across the top of the card and flush with the raw edge of the next edge to sew.
I put a pin just below the card to keep it in place and then slip the card out.
Then continue sewing from the edge to the next corner and repeat the process until you come to where you started. Stop sewing several inches from the beginning and take it to your cutting table.
You’ll have a “tail” on each end and several inches (about 8-10”) between where you started & stopped sewing in the middle of one side.
To join these two tail ends, trim the right side tail of your binding so it ends half way between the beginning & the end of your sewing.
Lay that trimmed binding piece over the end you just trimmed.
Place your left tail over the right & fold it back until it’s in line with the right edge of that extra piece of binding and cut it at that fold. Perfect! (The ends of the binding tails will overlap by the width of that extra binding, which in this case is 1-1/2 inches, but this trick works with any size binding and NO MATH or special tools needed! So I always do it. Yay.
To make it really nice, use your ruler & a fabric marker to draw a 45 degree line as a guide to sew on.
Then overlap the binding ends as shown above & sew right sides together on that drawn line.
Double-check to be sure it’s sewn the right way (ask me how I know), and then trim the seam to 1/4 inch and press open. Line up the raw edges and finish sewing the binding to the quilt.
Tada! All sewn. All that’s left it to fold it to the back & hand sew.
First iron the binding out from the right side, all the way around.
Turn the quilt over and from the back turn the raw edge of the binding in half so it meets the raw edge of the quilt (at the corners too)…
Then fold in again, bringing the folded edge over so it covers the stitching and pin. Stop at the corner, pinning as close as you can to a 1/4” from the edge.
To make a crisp mitered corner lay a pin or stiletto across the corner edge of the binding just to hold it in place (see photo) …
…while folding the next edge & pin. See how nicely the corner miters? Continue folding/pinning around the quilt.
Then sew the folded/pinned edge to the back by hand.
Don’t the corners look great? …From the back…
…as well as the front!
All Done! I’m in the process of creating a pdf pattern for my newest quilted wall hanging/table topper called “Double Star Barn”. I’m thrilled to be able to share it with you in my Etsy Shop and it should be available in just a day or two, so be sure to check Mulberry Patch Quilts if you’re interested.
It’s easy to make a triangle on the corner of a block, no math involved. I first heard of this technique from an amazing quilt teacher, Mary Ellen Hopkins, who wrote groundbreaking quilting books like “It’s OK if You Sit on My Quilt”, and “Connecting Triangles” among others. Mary Ellen was probably best known for creating the connector and perfect piecing triangles concepts. I was so lucky to have the opportunity to see her at her lecture in Milwaukee just a few years before she passed away (in 2013). Not only did she make quilting fun, her sense of humor and showmanship shined during what I would call her “performance” instead of her lecture.
Here’s how to do this technique. In this example, I’ll add a triangle to the top of a rectangle. I cut a square the same width as the rectangle. On the wrong side of the square, I drew a line from one corner to the opposite corner. Since I’ll be sewing on this line, I like to use a very fine point sharpie or a mechanical pencil with a light hand—just dark enough to see.
Place the rectangle right side up and the marked square right side down on top of it (right sides together) paying attention to the orientation of the angle.
Then sew on the drawn line.
If I’m making more than one I like to sew one after the other (chain piecing) without having to cut the threads in-between until I’m finished.
Then I take it to the ironing board (love my wool pressing surface by the way) and I give it a good press as is to set the seam.
Then I gently open the seam by folding the edge of the square to meet the opposite corner.
This video might make it easier to understand…just hit the play button below.
These corner triangles (made with marked squares) are sometimes referred to as “snowball” corners, or “snowballed”. You can use them to make all sorts of blocks: snowball, flying geese, or star points. Let me show you a few examples.
By adding a second triangle (same angle orientation) to the bottom, I’ve made a simple parallelogram.
Or by adding them to four corners of a square, I can make a snowball block. Here’s one of my baby quilts featuring the snowball. I’ve added color triangles to the white squares & white triangles to the color blocks.
But look what happens when
So give this technique a try. And play with different sizes and shapes. The sky’s the limit! Have fun.
I have found an easy way to hang smaller quilted wall hangings or art quilts on your wall…hanging corner triangles. They’re so easy to incorporate into your binding. Here’s how.
After you’ve finished quilting your wall hanging and have trimmed the edges to prepare it for binding, you can add these corner hanging triangles to the back.
Cut two 5” squares. I like to use the same fabric as the backing, but if you don’t have enough, any fabric scraps will work. I like to try to match the background so they will blend in and you don’t notice them when you look at the back. This is especially nice if you’ve made a wall hanging that you might want to use as a table topper too. It looks nice and won’t interfere. But if your item will only be hung on a wall, matching the fabric really doesn’t matter. You can even use leftover charm squares, or muslin.
Fold each of the squares wrong sides together corner to corner and give them a good press with a hot iron.
Pin each triangle to the top corners of the back of your wall hanging, with the raw edges of the triangle matching the raw edges of your quilt.
With your sewing machine baste the triangle edges to the quilt using a walking foot and a scant quarter inch seam.
Bind your wall hanging in the usual manner, incorporating the basted triangle edges with the edges of the quilt. Once bound, all you need is a thin wooden dowel cut slightly shorter than the quilt. The thickness depends on how heavy the wall hanging is. This particular wall hanging is 20 x 20 inches square. I used a quarter-inch dowel, but even a thinner one would have been substantial enough to carry the weight.
Just slip both ends of the wooden dowel inside both triangle corners and you’re ready to hang it on your wall with a nail, or hook.
For smaller art quilts or wall hangings I start with smaller squares (4”) and use thinner wooden dowels. I’ve even found wooden skewers to be long and thick enough for small projects. Experiment to see what size works best for your quilt.
Keep in mind, this technique won’t work for large or heavy quilts/wall hangings. They might need more support in the center. It will all depend on the width and weight of the wall hanging.
For larger items, I use sew in a “hanging sleeve” that goes all the way across the top of the quilt back, so the quilt’s weight is more evenly distributed.
It’s the very last challenge week for Project Quilting Season 11 (2020). A big shout out to Kim Lapecek (Persimmons Dreams);and her cohort Trisha Franklin (AKA Quilt Chicken) for making this challenge possible, and for cheering us up during a very unusual and difficult time.
They couldn’t have chosen a better challenge theme “Vibrant and Vivacious”. Working with bright colors was just what we all need to distract us from all that’s going on and to help cheer us on.
I chose a border print of red poppies from my stash. So bright and cheerful, the red and orange really pop against the black background. I used a 60 degree triangle ruler to make this pieced table topper.
Loved making it so much, I plan to make a table runner as well.
So what are you doing during this unprecedented time at home to keep your spirits up? A walk in the park? Cooking up a new recipe? Reading a new book? Why not get some colorful fabrics out of your stash and create something fun and cheerful.
I’m participating again this year in Project Quilting, and this week’s Season 11.5 challenge is “Give It Away”. TRISH we must be on the same wavelength (LOL)!! Just the week before the challenge I made ten baby quilts for one of my favorite charities, Mikayla’s Grace! What are the chances?See that blog post here.
BUT those quilts won’t count for entry into this week’s challenge. The rules clearly state the quilt has to be made–beginning to end–during the challenge week. That’s not a problem… I see by their website that Mikayla’s Grace is still in need of baby quilts in their “large preemie” size. So I made two more quilts during the challenge this week.
Last time I used leftover blocks to make the quilts. This week I thought I’d change it up by using leftover jelly roll strips from a recent quilting project. I gathered up all the 30s reproduction strips I could find in my stash and started sewing them together.
If each strip has been 42″ (WOF), this would have gone faster–but most of the strips I had left were only 10″ …but it still worked just fine.
My “plan” (and I use the term loosely) was to make two similar baby quilts, each about 22″ square. Why two quilts? Because Mikayla’s Grace requests that donated items be made in sets of two. I also knew I wanted them to look “scrappy”, so I grabbed strips randomly and sewing them together until I had strip sets 11 strips wide (my simple math plan was 2″ finished x 11 =22″)… at least it sounds like a plan.
Once several strip sets were made (and I’d exhausted my pile of strips), I sub-cut them into 2-1/2″ strips and joined the edges together to make four identical really, really long strips.
I laid the subcut strips side by side and offset them by one square–“un-sewing” the last square from the bottom (see photo above) & re-sewing it to the top (see photo below).
I did the same thing with the third long strip, only offsetting it by taking two squares off the bottom & resewing them at the top… etc etc.
You get the idea!
If I had begun with full size (WOF) strips, or if I had more strips left to plan it all out perfectly, I could have figured out the exact size I needed to make the two quilts…but of course I didn’t have quite enough strips, so once I sewed all four long strips together, I simply un-sewed them into four sections and then combined two sections into each quilt…make sense? You can see in the photos how the diagonal stripes change color at their centers. But I don’t think it matters. It makes them more interesting.
I didn’t have quite enough subcut strips to make them square, so I added a strip to each side.
Both quilts are backed with the softest cotton flannel, sewn right sides together, then turned right side out, with just enough quilting in the ditch to hold the layers together nicely.
Off these go in the mail to Mikayla’s Grace in McFarland, WI. I hope they’ll bring comfort to a little one in the NICU of one of our area’s hospital, and that these quilts will offer love, hope, and comfort to their families as well.
Do you have some jelly roll strips left over? Why not consider making a baby quilt for Mikayla’s Grace, or a charity near and dear to your heart? I hope this blog has inspired you to give it a try!
Need more ideas? Check my blog on using your leftover blocks here. Or click “Charity Quilting” under “Categories” on the right side of this blog to see even more ideas.
Enjoy! I’d love to see what YOU create.
And I’m excited to see all the charities supported and ideas by the wonderfully generous and talented quilters make for Project Quilting this week.
So this week’s challenge for Project Quilting is “Put a Heart on It”. I’ve been wanting to do another Lil’ Twister tool quilt AND break into a beautiful Moda charm pack I just got by American Jane called “Merry Go Round”. I love the bright & pastel spring flower-like colors.
So here goes! How do you make a Twister heart? First position all the 5 inch squares into a large patchwork quilt top, kind of in the shape of a heart. This one is 7 x 7 squares.
Sew it altogether, then add a border out of the same background fabric and start cutting with the Lil’ Twister tool, lining the marks on the tool up with the seam lines.
This is the fun part! … it’s fun to see it change.
The hardest part is that first cut… then you line them up into a whole new “twisted” design and sew up the rows and columns again. So cute.
I was able to square up the fabric left between the cuts to use as a 2-1/2 inch square scrap border. There were just enough.
I decided to do a faux piping binding in green and red for a quick finish.
And did simple straight stitch quilting around the pinwheel shape, the border, and a zig zag through the scrappy border. I may go back at a later date to add free motion quilted “petals” in each pinwheel shape and more quilting in the background–either straight stitching or free motion meandering.
So here’s this week’s entry in Project Quilting Season 11 (2020). There’s no voting this year, but come see the entries here.
So as you’ve heard me talk about before, Project Quilting is similar to Project Runway–you’re given a challenge & a limited period of time to make it, start to finish…but no one is voted off! It’s the creation of Kim Lapicek with her friend, Trish (AKA Quilt Chicken), and helps take the “cabin fever” out of the middle of winter here…although they have quilters from all over the world entering!
This is Season 11, Challenge 2: And the phrase is “Team Colors”. Well, I’m from Wisconsin, so of course (being football season) it’s either the Green Bay Packers or UW Badgers. I happened to have green & “gold” fabric in my stash & a technique I wanted to try…a perfect combination.
So info my stash I dove & cut strips of varying widths…even some with curves.
I layed them on a square of fusible interfacing (slightly overlapping) & just ironed them in place. Then I turned it upside down (photo above & below), and re-trimmed to size.
Then comes the fun part! I added yarns, ripped twisted thin strips of fabric, and zigzagged it all down.
Here’s a close up…
Then I simply put four squares together, and added the border on top of tge batting/backing and bound it.
I love the texture it creates. Fun!
It’s posted for this week’s challenge. There’s no voting, but check the Project Quilting website to see how other quilters have interpreted it. And give this fun technique a try.