Painting on Fabric with Inktense Pencils

So I haven’t painted or drawn on fabric for quite awhile now. And with the snow falling outside, I declare an official “Snow Day” … a day to relax, stay cozy indoors, and “play”.

I’ve got my Derwent Inktense 24 box of pencils, a few stiff brushes, some plain white fabric (PTD prepared for dying), freezer paper, and water/aloe vera gel/textile medium and I’m ready to play.

For those of you not familiar with these color pencils, once they’re activated with liquid and dry they become permanent. Unlike watercolor or regular color pencils, these pencils have actual ink in them that bonds with the fabric when wet. You can use water (which will give more of a watercolor effect but will bleed more) or a textile medium or aloe vera gel (which are thicker and give you more control). Let’s give it a go!

After tracing a photo on the shiny side of a piece of freezer paper, I ironed it to my fabric. I chose 100% cotton “prepared for dying” white fabric because I had it on hand, but I think any cotton muslin with a tight weave will work.

There are a plethora of how-to videos on YouTube, and I watched quite a few of them. Just search on “Inktense on fabric” if you’re interested.

In my pack of 24 pencils there’s one labeled “outliner”. I’m using that one to sketch in the details of the bluebird.

I’m going to draw on the dry fabric and then use the aloe vera on a stiff brush to blend and make the color pop. My sample sheet might be helpful in choosing the colors.

When I first got my pencils, I made a sample sheet on fabric of all the colors.

I’ll start with the branches.

Dry, no aloe vera added yet.
After brushing on the aloe vera and blending.

You can see how vibrant the color becomes on fabric when liquid is added to it! For the lighter areas I found brushing on the aloe vera first, adding bits of color and blending worked better. I even took my wet bruch and dabbed it right on the pencil to add the color.

Not perfect, but not too bad for a first try

Next I need to let it dry. I may come back and add details using a permanent fine tip marker after it’s done drying.

I’ll come back and show you the finished art quilt when it’s done. For now I’m going to think about what background I’ll use. will it be pieced? Painted? Or a batik?

Until next time, Happy Quilting! Jane

Mulberry Patch Quilts

Dying Fabric for the Lake Washington Quilt: Part 3

So here’s the third and final installation  in the “Lake Washington Art Quilt” saga (dying fabric & creation of) …

I’m happy with the final outcome of the water fabric for “Lake Washington”, and started free-hand machine quilting the sky and water (piers and background).

Hydrquiling1

But I don’t have the right color of fabrics for the hydrangea bushes in the foreground.  The only fabric I could find in my stash (besides piecing millions of tiny petals from individual fabrics) was this one…

Hydr1

Not at all the color of the blue hydrangeas I love so much in the Seattle area!  So…having blue dye still left over I decided to experiment by over-dying the fabric.

Hydr2

I tried two different strengths of dye with the soda ash solution, and placed cuts of the hydrangea fabric into containers.  After curing at least 4 hours, I rinsed them out, washed & dried them–and this was the result!  Much, much better…

Hydr3final

So I began adding the hydrangea to the foreground, one flower at a time…

Hydradding

And then started the long task of outlining every little petal in different varigated blues, greens, and purples that I had in my lovely Sulky cotton thread stash…

Hydrquilting

The quilting took quite awhile over a few days–I had to take breaks or my eyes would go “buggy”!  (I need a neck and shoulder massage!!!)

But here’s the final result–not quite final–but at least quilted and ready to bind.

Hydrquiltingdn

I’ll add another photo after it’s “really” done… 🙂

Happy Quilting!

Jane

Mulberry Patch Quilts

Dying Fabric for the Lake: Part 2

After the last few dying results not being exactly what I wanted, I thought I’d it try using a different preparation technique with each of two fabrics.

I neatly fan-folded a fat quarter of PFD cotton fabric, pressing each crease with my hot iron and then loosely hand tacked it all together with cotton thread and a loose running stitch).

Blogsew

I gathered the other fat quarter by hand sewing running stitches and pulling them…

Bloggather

Using my Procion Dye mixed in hot water, and adding it to a soda ash/water solution, I put each fabric into a large plastic container and poured the dye mixture over them, letting them set for at least four hours.

Here were the results:

Results: fan folding, ironing creases, & loose running stitch

Results: fan folding, ironing creases, stitching

Results: hand-stitching & gathering at ends

Results: hand-stitching & gathering at ends

 

They’re interesting, but way too dark.  And the gathering is very hard to get out.  So I tried once again, using the folding technique–this time using rubber bands instead of tacking stitch–with a lighter dye bath (not so heavy on the blue dye powder).

Blogdye1

Second try–in the lighter dye bath

 

I was much happier with this result:

Blogdyeresultslighter

Results: lighter dye bath & folding

 

And I think it will work for my Lake Washington water fabric…

Blogdyewillwork

So, with that done…

I’m starting to put the landscape quilt together…

Blogdyewillwork2

I’ll post again, as the quilt evolves…

Happy Quilting!

Jane

Mulberry Patch Quilts

Dying Fabric for a Lake

I’m starting a new art quilt.

A few years ago, while visiting my son in Seattle, I just happened to snap a photo of Lake Washington with bright blue hydrangea in full bloom in the foreground.  I’ve always wanted to make a landscape quilt from the photo, but I’m not quite sure how I’m going to go about it.hydrangeas seattle

I’ve procrastinated for quite awhile!

After hearing from a fellow quilter that she felt art quilts were easier than pieced quilts because you can always cover your mistakes, I took heart and decided to jump in and go ahead and see what happens.  If it fails it fails.

After pulling every hand-dyed and batik fabric I have (what a mess!), I was ready to start.

I found a pretty good sky fabric, something that might make do for the shoreline in the distance, and lots of hand dyes for the flowers, but the lake water had me stumped.  Nothing seemed right.

So late last night, I cut about a yard of my Kona PFD fabric and headed downstairs to see what I could come up with.

The first two pieces I tried were soaked in soda ash solution and placed (ringing wet) on the bottom of a large plastic pan.  I tried to “pinch” them into horizontal folds.

I mixed up two solutions of Procion Dye powder (two different blues) with hot water, and poured a little of each into the pan.  This allowed the dyes to “soak in” to the bottom of the fabric, leaving some lighter areas on top– hoping to replicate the light and shadow of rippling water.

After a few minutes, I swirled them into circles (like 2 cinnamon buns), picked them up & put each in a pint size wide mouth canning jar to sit for several hours.

Very late last night, after washing, drying and ironing…this is how the first two experiments turned out…

Fabric3Fabric2

I wasn’t convinced that there were enough “ripples”, and the color was a bit more on the aqua side than I wanted. So I gave it another try.

This time I wrapped two fabrics around a PVC pole (sorry I forgot to take photos), and secured them with several rubber bands.  Then “scrunched” them down to the bottom of the tube, creating lots of lovely wrinkles…

Fabric4  Fabric5

The lines are more pronounced–but still not exactly as I had hoped.

I’ll experiment by laying each one on my landscape background with the rest of my design pieces and see what works, if any 🙂

More later…

Happy Quilting!

Jane

Mulberry Patch Quilts

Scarf Dyeing with Natural Plant Materials

I love the process of dyeing fabrics, and have been dyeing cotton fabrics for years using Procion Dye. So a couple years ago when some beautiful scarves caught my eye at a gift shop and I found out that they were made using natural plant materials, I knew I had to find out more.

I immediately searched for a class, and found one at Ohlbrich Gardens here in Madison taught by the talented and informative Shelly Ryan (The Wisconsin Gardener from PBS)–see this link for an even better tutorial!   If you get the chance, sign up for a class with her–she’s an amazing person!

We made several scarves that day.  I’ve recently gotten back into it, after being asked to teach a little workshop for a few friends. I hope you’ll give it a try as well…here’s how.

First, I purchased 100% silk scarves through Dharma Trading Company made especially for dying. They have many styles and sizes to choose from. The ones I used were “Habati 8mm hand rolled China 100% Silk”.   The protein-based silk fiber takes the plant dye beautifully, but is durable enough to stand up to the process.

You’ll also need:

Dye–plant material. You can use everything from flower petals, to leaves and ferns, to weeds; search your kitchen scraps for carrot peelings, red cabbage, onion skins, avacado; or your herbs and spice cabinets for tumeric, cinnamon, tea leaves; or even coffee grounds. The sky’s the limit!

Mordant–to bond the color to the fiber, you’ll need to have on hand either steel wire, copper wire, even a penny will work, or a spray deodorant that contains aluminum.

Acid-based liquid–to release the color from the plants–vinegar (white or cider, doesn’t matter), wine, fruit juice.

Also have on hand some sturdy plastic zip-lock bags (I used freezer quart-size), waterproof bowl or tray, rubber gloves, and a sharpie pen.

Scarfblog 2

Lay the silk scarf on your work surface with half on the surface and half hanging off. (This is the point where you would spray it lightly with the deodorant before adding plant materials if you’re not using steel or copper.) Layer the plant materials on top of one half of the scarf in any way you choose–you don’t need to worry about covering every square inch–just have fun. There’s no wrong way! Experiment! Use one or two things, or pile on a bunch of different things. My scarf (in photo) had red onion skins, turmeric (spice), cinnamon, coffee grounds, & shredded carrots on it!

Scarfblog 3

Fold the other half of the scarf on top of first half and from one short end start rolling it; then make it into a ball (or roll again like a cinnamon bun) and secure with the steel or copper wire. (Be sure the steel wire is not galvanized–we want it to “rust”.) If you used the deodorant spray earlier instead or the wire, you can use yarn or string to tie.

Scarfblog 4

You might want to write on your baggie with the sharpie pen what plant materials you used, in case you’re keeping track. Then place the scarf it in your baggie and add whatever acid-based liquid you want–I chose to use white vinegar, cheap & in my kitchen already. You only need 2-4 tablespoons! Just enough to thoroughly wet it.

Scarfblog 7

Then close up the baggie and place it in a waterproof bowl or other container–this is just a precaution, in case the bag should leak.

Now the HARD PART…you have to WAIT! Place the baggie away from kids & pets, and out of direct sunlight, and let it sit (cure) from 3 days to up to 2 weeks. I know it’s hard–but it will be worth it. I mark the “reveal” date on my calendar and try not to think about it…

When the “reveal” day is here, put on your plastic gloves (the vinegar might be a bit irritating to your skin) and over a lined wastebasket, or outside in the yard, “pour out” any remaining vinegar & shake out all the plant material. Now take the scarf outside and hang it over a tree branch or bush (or clothesline) and let it dry out for a few hours.

WAIT TIME AGAIN! Now you’ll bring it inside and just let it dry for about 2 weeks. I know, patience is a hard virtue!! But you will be rewarded…

After the two weeks is up you can wash your scarf in warm water (I like to use my sink with a little Woolite or mild detergent) and rinse it thoroughly. Then before it drys completely, iron it with a hot (silk setting) iron to set the color.

Scarfblog 12

That’s it! You have a beautiful hand-dyed scarf to wear or give as a gift. Here’s how the scarf turned out with the onion skins, etc.

Here are some other examples:

Dandelions, Raspberry Hibiscus Tea Leaves, Strawberry Tops, & the dreaded Garlic Mustard:

Scarfblog 5Scarfblog 13

What a great way to commemorate a special event (anniversary, birthday, funeral), by using flowers from a bouquet. My son sent me a dozen light pink roses for Mother’s Day, which unfortunately only last a week or two. So I used the fallen petals in this scarf along with other petals from the garden and some Seattle Chai Tea (because he lives in Seattle)…

Scarfblog 8Scarfblog 14

And finally, here’s a scarf made with celery and spinach leaves, oregano and turmeric, coffee grounds, and I threw in a few frozen blueberries just for fun…

Scarfblog 9

After folding over the second half of the scarf, I smashed it a bit with the flat side of a meat tenderizer just to make the juices come through a little more…

Scarfblog 10Scarfblog 15

I hope you’ll give dyeing scarves with natural plant materials a try. It’s really a lot of fun. I can’t wait to try other items from my garden and refrigerator–wonder what will happen with avocado? red cabbage? So many plants, so little time! 🙂

For more information, see Lauren Maple on PBS “Sewing with Nancy” segment.